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#5 from Top 10 Villains - Alien

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Alien
Alien and Ripley in Aliens
Alien

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ALIEN QUADRILOGY

The definitive DVD box set of the most terrifying saga ever created -- over 40 hours of addidional footage. Four discs containing the original theatrical versions of each film in addition to the extended versions with Alien containing the 2003 Director's Cut and Aliens 3 including Fincher's workprint. An additional four discs containing new, detailed commentaries, interviews, multi-angle anamatics, pre-production, production and post production featurettes, 252 pages of Stan Winston’s fascinating workshop, screenplays and intriguing easter eggs. The final bonus disc contains rare still archives, theatrical and television trailers, interviews and fascinating special effects footage.

 
ALIEN 3

Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realises that not only has an alien got loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities in trying to kill the alien, she must also cope with a distinctly shortened life span that awaits her.

 
ALIENS

Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into travelling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed he. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble.

 
ALIEN

By transplanting the classic haunted house scenario into space, Ridley Scott, together with screenwriters Dan O'Bannon and Ronald Shusett, produced a work of genuinely original cinematic sci-fi with Alien that, despite the passage of years and countless inferior imitations, remains shockingly fresh even after repeated viewing. Nothing much to speak of happens for at least the first 30 minutes, and that in a way is the secret of the film's success: the audience has been nervously peering round every corner for so long that by the time the eponymous beast claims its first victim, the release of pent-up anxiety is all the more effective. Although Sigourney Weaver ultimately takes centre-stage, the ensemble cast is uniformly excellent.